The Front Room: A24’s Lowest-Rated Film of 2024 on Rotten Tomatoes

"The Front Room: A24's First Rotten Score of 2024"

The Front Room has emerged as A24’s lowest-rated film of 2024 on Rotten Tomatoes. Crafted by Max and Sam Eggers in their first feature film venture, these siblings of Robert Eggers—acclaimed director of The Witch and The Lighthouse—present a new horror narrative. The film centers on a newly expectant mother who must contend with her ominous mother-in-law, who seeks to dominate her unborn child. The cast is headlined by Brandy, marking her return to the horror genre 26 years after I Still Know What You Did Last Summer, with Kathryn Hunter, Andrew Burnap, and Neal Huff also starring.

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As it approached its theatrical release on September 6, reviews began to surface, revealing The Front Room’s Rotten Tomatoes score. The film premiered with a 44% rating on Rotten Tomatoes. Based on 25 reviews at the time of writing, the score is subject to change with the addition of more reviews, though it seems poised to remain A24’s lowest-rated film of 2024.

Comparison of The Front Room’s Rotten Tomatoes Score with Other 2024 A24 Films

A24’s First Rotten Score of the Year

A24 has enjoyed a successful year, as all their films released in 2024 prior to The Front Room have earned Fresh scores on Rotten Tomatoes. The indie studio had a strong start with Problemista (86%), Love Lies Bleeding (94%), and Civil War (81%), all garnering significant critical praise. Their initial horror film of 2024, I Saw the TV Glow (84%), was lauded for its distinctive visual style and emotionally resonant narrative. The dramas Tuesday (76%) and Janet Planet (84%), although not widely noticed by audiences, were generally well-received by critics.

5 Best A24 Movies, Ranked

A24’s successful year in horror continued with the summer release of MaXXXine (73%). Despite having the lowest Rotten Tomatoes score of the trilogy, following X (94%) and Pearl (93%), it is still regarded as a suitable and thrilling conclusion to the series. However, the drama Sing Sing (98%) boasts A24’s highest Rotten Tomatoes score of 2024. With extensive acclaim for Colman Domingo’s compelling performance, Sing Sing is likely A24’s top contender for recognition in the upcoming awards season.

The Front Room not only marks A24’s lowest-rated movie of 2024 but also stands as their sole Rotten score if it remains below 60%. Reviews are predominantly mixed, with numerous commendations for Kathryn Hunter’s strong portrayal, yet criticisms focus on the film’s inconsistent tone, lack of substance, and underdeveloped storyline. While some appreciate its campy horror aspects, others find it irritatingly disjointed, with overlooked thematic possibilities and an unsatisfying narrative framework. With several more A24 films slated for release in 2024—including A Different Man, We Live in Time, and Heretic—the studio has ample opportunity to recover and conclude the year on a high note.

Source: Rotten Tomatoes

The Front Room

  • PG-R
  • Horror
  • Thriller

The Front Room is a psychological horror film directed by the Safdie Brothers. Set in a single location, it revolves around a young, pregnant woman caring for her ailing grandmother, whose secrets and dementia create a tense and eerie atmosphere. The film stars Brandy Norwood and Kathryn Hunter, and explores themes of family, memory, and the supernatural.

Director
Max Eggers, Sam Eggers
Release Date
September 6, 2024
Writers
Max Eggers, Sam Eggers
Cast
Brandy Norwood, Andrew Burnap, Kathryn Hunter, Neal Huff, David Manis, Mary Catherine Wright, Ellen J. Maddow, Mary Testa
Character(s)
Belinda, Norman, Solange, Pastor Lewis, Old Man, Old Woman, 2nd Old Woman, Mary
Runtime
94 Minutes
Main Genre
Horror
Kai Nakamura
Kai Nakamura

Kai Nakamura, a striking 30-year-old journalist with a distinctive head of white hair, is a captivating presence in the world of movie journalism. Known for his eloquent prose and deep understanding of film, Kai has established himself as a trusted voice among movie enthusiasts and industry insiders alike.

Hailing from the vibrant city of San Francisco, Kai's passion for cinema was nurtured by his multicultural upbringing and frequent visits to the diverse array of film festivals held in the city. He pursued his love for storytelling at the University of California, Berkeley, where he graduated with a degree in Media Studies, sharpening his analytical skills and fostering a critical eye.

Kai’s work is revered for its thoughtful exploration of film as both art and cultural commentary. His blog, "Celluloid Reflections," offers readers an immersive experience, featuring everything from in-depth reviews of the latest releases to insightful essays on film history and its societal impacts. His unique perspective bridges the gap between mainstream and arthouse cinema, attracting a wide audience.

Outside of his writing, Kai is deeply connected to his cultural roots, frequently engaging in community projects that highlight Asian cinema and promote cross-cultural dialogue. An avid photographer, he captures the world through his lens, often drawing inspiration from the visual storytelling of the movies he loves.

Kai's personal life is as colorful as his professional one. He is an enthusiastic cook, often experimenting with fusion cuisines that reflect his heritage, and he enjoys hosting dinner parties where lively discussions about film abound. An advocate for mental health awareness, he volunteers with organizations dedicated to supporting creatives in overcoming industry pressures.

With his distinctive style and profound insight into the cinematic world, Kai Nakamura continues to enrich the film journalism landscape, inspiring others to see movies not just as entertainment, but as a lens into the human experience.

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