Multiplicity’s Visual Marvels: A Case of Style Over Substance
The analysis by Corridor Crew highlights the clever visual effects in Harold Ramis's 1996 film *Multiplicity*, where Michael Keaton portrays multiple versions of himself. Despite its innovative techniques, the film struggled at the box office due to prioritizing visuals over a compelling narrative, demonstrating that even Keaton's charisma and Ramis's direction couldn't overcome a weak storyline.