Screenwriter Alfred Gough explains why the third "Shanghai Noon" movie, despite reaching the script stage with Jackie Chan and Owen Wilson's tentative involvement, was never made, citing creative differences and Chan's withdrawal from the project.
*Stree 2* has become the highest-grossing Hindi-language film in India, marking a significant achievement for the Maddock Supernatural Universe and hinting at potential franchise expansion. Despite competition from Tollywood hits, its record-setting performance signals a strong presence for Bollywood in the Indian market. However, its title may be contested by future releases.
Samara Weaving confirms her return for "Ready or Not 2," with ongoing discussions to move forward with the sequel. The original film's success and the directors' commitment to the project suggest an exciting continuation of Grace's story, despite initial concerns following Disney's acquisition of Fox Searchlight.
Joel McHale addresses and dispels rumors of his involvement in *Jurassic World Rebirth*, confirming he is not part of the film's star-studded cast. Despite speculation, the actor humorously clarifies his non-involvement, allowing the movie to focus on its confirmed ensemble, including Scarlett Johansson and Mahershala Ali.
Netflix expands the cast for its upcoming adaptation of Emily Henry's *People We Meet on Vacation*, starring Emily Bader and Tom Blyth. The film follows two estranged best friends reigniting their bond during a trip to Palm Springs. New cast members include Jameela Jamil, Sarah Catherine Hook, Lucien Laviscount, and Lukas Gage. Directed by Brett Haley, the movie is set to release next year, amidst several adaptations of Henry's romantic comedies in development.
In "Beetlejuice Beetlejuice," the sequel to the 1988 classic, the mystery surrounding Lydia Deetz's late husband, Richard, is explored. The film hints at his death being either accidental or possibly sinister, as he appears in the Afterlife with piranhas—suggestive of his demise. The story leaves Richard's fate open to interpretation, reflecting the Afterlife's enigmatic nature.
The analysis by Corridor Crew highlights the clever visual effects in Harold Ramis's 1996 film *Multiplicity*, where Michael Keaton portrays multiple versions of himself. Despite its innovative techniques, the film struggled at the box office due to prioritizing visuals over a compelling narrative, demonstrating that even Keaton's charisma and Ramis's direction couldn't overcome a weak storyline.
Kevin Smith reflects on his creative tensions with Ben Affleck during the making of *Chasing Amy*, emphasizing the importance of sticking to his script and the subsequent success both have achieved in their writing careers.
