Corridor Crew's retrospective on the disaster film *San Andreas* highlights its impressive visual effects despite its unrealistic portrayal of geological events, affirming the film's enduring entertainment value and success at the box office.
Alan Tudyk joins the cast of James Gunn's Superman film, expanding his presence in the DC Universe, which premieres in 2025 as part of the new "Gods and Monsters" era.
The Salem's Lot remake, delayed for two years, premieres on Max in October 2024 with mixed reviews praising its atmosphere and performances but critiquing its comedic tone. Despite lacking thematic depth, it promises to entertain horror fans with a campy, haunted house-style experience this Halloween.
The article details the upcoming digital release of the record-breaking Marvel film "Deadpool & Wolverine," highlighting its special features and potential box office milestones, while expressing anticipation for its bonus content.
Keanu Reeves is keen to join the MCU as Ghost Rider, a childhood dream role. Recent fan art imagines him in this fiery persona. While discussions with Marvel have yet to yield a role, the MCU's supernatural expansion hints at a future opportunity for Reeves, whose action prowess and popularity make him an ideal candidate.
Jared Harris questions the need for HBO's Harry Potter reboot, emphasizing the original films' legacy while urging the series to cast new actors for a fresh start.
"Trap," M. Night Shyamalan's latest thriller, will stream on Max from October 25, 2024, following a $82 million box office success. Featuring Josh Hartnett, the film involves a sting operation to catch a serial killer. Despite mixed reviews, it resonated with audiences and exceeded its budget break-even point. Shyamalan's self-financing strategy continues to allow creative freedom, with "Trap" poised for potential streaming success.
This text examines the depiction of Navajo code talkers in the film *Windtalkers*, highlighting historian John McManus's praise for its portrayal while acknowledging the movie's mixed critical reception. It emphasizes the film's role in raising awareness about Indigenous American contributions during World War II and suggests a modern retelling might focus more on the code talkers themselves.
Screenwriter Alfred Gough explains why the third "Shanghai Noon" movie, despite reaching the script stage with Jackie Chan and Owen Wilson's tentative involvement, was never made, citing creative differences and Chan's withdrawal from the project.
