Michael Keaton Considers Reverting to Birth Name for Future Film Credits

Michael Keaton Considers Reverting to Birth Name: The Story Behind the Stage Name Change

Michael Keaton is considering reverting to his birth name for his upcoming film projects. Known to audiences for decades as Michael Keaton, he has been credited with this name in iconic roles such as those in *Beetlejuice* and *Birdman*. In his latest venture, he will reprise his role as Beetlejuice in Tim Burton’s anticipated sequel, *Beetlejuice Beetlejuice*. The film, featuring Jenna Ortega, Winona Ryder, Catherine O’Hara, Justin Theroux, and Willem Dafoe, is scheduled for release on September 6.

According to *People*, Keaton has shared his reasons for wanting to use his real name in future works. The actor revealed that his actual name is Michael Douglas. He adopted the stage name Michael Keaton due to a rule imposed by the Screen Actors’ Guild (SAG) when he began his career. He humorously admits that he barely remembers choosing the name Keaton, speculating that it might have been a random choice from a phone book. Here is Keaton’s full quote:

“I was looking through — I can’t remember if it was a phone book. I must’ve gone, ‘I don’t know, let me think of something here.’ And I went, ‘Oh, that sounds reasonable.’

[On the set of Knox Goes Away] I said, ‘Hey, just as a warning, my credit is going to be Michael Keaton Douglas.’ And it totally got away from me. And I forgot to give them enough time to put it in and create that. But that will happen.”

Explaining Michael Keaton’s Name Change

Oscar Winner Michael Douglas Had the Name First

Keaton’s decision to adopt a stage name occurred in the 1970s, as he embarked on his acting career. Upon joining SAG, he encountered a rule that prohibited two actors from having identical names. The registry already included actor Michael Douglas and talk show host Mike Douglas, compelling the *Beetlejuice* star to choose a new surname. According to Keaton, the selection process was somewhat haphazard.

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Even without the SAG rule mandating unique names, having a distinct name likely benefited Keaton. By the time Keaton was emerging, Michael Douglas was already a well-established actor with credits in films like *Romancing the Stone* and *A Chorus Line*. In 1988, Douglas won the Best Actor Oscar for *Wall Street*. The distinct surname ensured there was no confusion between the two, allowing Keaton to carve out his niche.

Today, Keaton is a highly respected actor in his own right. With an Oscar nomination for *Birdman* and an Emmy win for Best Lead Actor in a Limited or Anthology Series or Movie for the acclaimed series *Dopesick*, Keaton likely has the clout to revert to his original name in future credits, staying true to his birth identity.

Source: *People*

Kai Nakamura
Kai Nakamura

Kai Nakamura, a striking 30-year-old journalist with a distinctive head of white hair, is a captivating presence in the world of movie journalism. Known for his eloquent prose and deep understanding of film, Kai has established himself as a trusted voice among movie enthusiasts and industry insiders alike.

Hailing from the vibrant city of San Francisco, Kai's passion for cinema was nurtured by his multicultural upbringing and frequent visits to the diverse array of film festivals held in the city. He pursued his love for storytelling at the University of California, Berkeley, where he graduated with a degree in Media Studies, sharpening his analytical skills and fostering a critical eye.

Kai’s work is revered for its thoughtful exploration of film as both art and cultural commentary. His blog, "Celluloid Reflections," offers readers an immersive experience, featuring everything from in-depth reviews of the latest releases to insightful essays on film history and its societal impacts. His unique perspective bridges the gap between mainstream and arthouse cinema, attracting a wide audience.

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With his distinctive style and profound insight into the cinematic world, Kai Nakamura continues to enrich the film journalism landscape, inspiring others to see movies not just as entertainment, but as a lens into the human experience.

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